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‘Grizzly Bear’ Mauls the Alternative Music Scene

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By Peter Soucy Multimedia Editor Never afraid of layering tracks or complex instrumentation, Brooklyn-based Grizzly Bear has once again crafted a masterpiece with “Painted Ruins,” the long awaited follow up to their 2012 album, “Shields.” Grizzly Bear knows how to fill out a pair of headphones to create a vortex of crisp guitars, multi-track synths, woodwinds and complex non-standard drum rhythms around the listener. There are so many nuances and riffs in every song on the album that with every listen, the...

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